THE CITY AS A MUSEUM: KOLKATA EDITION 1

1 – 7 July 2026

Curatorial Note

The City as a Museum is DAG’s annual art and heritage festival. It began in Kolkata to connect artworks and objects in the DAG collection, and inside museums, galleries and archives, to the world outside. By visiting historic spaces across the city and beyond—from artists homes and studios to centres of craft production and spaces of arts patronage—we have been able to animate the larger histories behind the artworks we see in galleries and exhibitions, making our collection accessible in new ways. Exploring the work of artists like Abanindranath Tagore, Chittaprosad, Ganesh Haloi, and lesser-known artists who paint ‘shoras’, create metro mosaics and ‘sandesh.’ These programmes connected such artistic practices to the wider history of colonialism, reform movements, patronage, art education, craft and music. In this way, not only have we presented ways to experience art as an integral part of our shared legacy but have also seen the city around us through fresh perspectives.

After four successful editions in Kolkata, the programme travelled to Mumbai in 2025 starting with the exhibition ‘Shifting Visions: Teaching Modern Art at the Bombay School’ at the historic Sir J. J. School of Art. Through a diverse set of programmes, we explored the lesser-known narratives of art and the city; travelling to Elephanta Caves, the iconic Alfred theatre and the milieu of Bhendi bazaar to learn about the life and art of artists like Tyeb Mehta and M. F. Hussain and their connections to sites in the city. Owing to the overwhelming responses, The City as a Museum will make its way to Delhi in September 2025.

Programmes

Gallery Teach-In

Gallery Teach-In

A unique academic engagement where professors from diverse disciplines bring their classrooms into the galleries, explore connections between their curriculum and the collection on view and experiment with new ways of teaching through art.

Font, Form, Function

Font, Form, Function

A workshop on typography and the art of font-making, facilitated by Diptanshu Roy, Creative Director (Wunderman Thompson) and Musician, inspired by the poster art of early 20th century.

Modern Art in Pakistan

Modern Art in Pakistan

A journey through the decades post the 1950s in Pakistan with art historian Simone Wille, from the University of Innsbruck, exploring the works of pioneering artists who looked to history and tradition to develop new visual languages, while also creating dialogues globally through travel. 

 Gab-Sur-Kinaar: Of Making and Playing the Tabla 

Gab-Sur-Kinaar: Of Making and Playing the Tabla 

An exploration of the instrument by tabla artists, Asif Khan and Rohen Bose, followed by a concert where they are joined by Alla Rakha Kalawant on the sarangi at the Jorasanko Thakur Dalan. 

Keyabat Meye

Keyabat Meye

Feminist collective Samuho navigates the interplay between the interior and exterior lives of women at the cusp of nineteenth century reform movements through a performance-installation inspired by Shreepantha’s Keyabat Meye and the tradition of Prahasan.

Keyabat Meye

Keyabat Meye

Queer-Feminist collective Samuho navigates the interplay between the interior and exterior lives of women at the cusp of nineteenth century reform movements through a performance-installation inspired by Shreepantha’s Keyabat Meye and the tradition of Prahasan.

Swadeshi Baithakkhana

Swadeshi Baithakkhana

A visit to an antique furniture warehouse and the former home of historian Sir Jadunath Sarkar with Professor Rosinka Chaudhuri, as we trace the Swadeshi influence on our living spaces, and the transformation of furniture design.

Accompanying Exhibition

A Treasury of Life

The term ‘Company painting’ was coined some seventy years ago to describe works made by Indian artists working for European patrons in India – typically employees of the various foreign trading companies – in the late eighteenth and early nineteenth centuries. Early enthusiasts of the genre were few: most people thought it was too late or ‘decadent’ to be considered as good court art, and too early or ‘primitive’ to be considered as modern. Recent exhibitions and publications have raised awareness and appreciation of this exceptional phase of Indian art, and this exhibition contributes to that purpose.

VIEW EXHIBITION DETAILS

Exhibition and Events Glimpses